Programme 2026–27
All ten accounts in this edition, with their programme dates, artists and routes into the work. Dates belong to the fixed fictional programme; they do not indicate live ticket availability.
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Cassian Vale follows the expressive weight of a painted hand, considering how a gesture stays readable when colour, scale and the surrounding wall complicate its meaning. An exhibition about recognition and the attention that comes after it.
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Ivo Selden's nested colour bands turn a simple structure into an extended looking exercise. Follow the edges around a corner and discover how repetition can make a small change of interval feel unexpectedly consequential.
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Nora Fen examines the confidence of public lettering and the revisions that complicate it. Words meet doorways, painted-out edges and passing readers in an exhibition about what a wall contributes to the message it carries.
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Pale folds and darker pockets offer routes through Mira Venn's abstract practice. Begin at an edge and follow the moment when a form changes direction, loses its boundary or makes space for another reading.
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Cassian Vale moves from a recognisable figure to colour that carries a gesture of its own. Broad fields, narrow gaps and changes of pressure connect this summer exhibition with the questions first explored in Gesture Ledger.
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Jonas Pell considers the quiet authority of a bust, a base and an ordinary covering. Wrapping becomes the centre of attention in an exhibition that asks which part of an arrangement turns an object into a monument.
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Folded-looking colour fields extend Ivo Selden's enquiry into edges and intervals. Highlights suggest ridges and darker passages imply support, asking how much of an apparent surface is visible and how much a viewer supplies.
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Elin Rook considers a staged face through the light, pigment and surrounding colour that shape its reading. A forthcoming exhibition about the conditions of a portrait and the limits of what a vivid image can tell us.
