Example Wharf rooms
London · imagined venue

A visit outline

hello@ternform.example

An original pale ceramic sculptural head with an open folded crown.

Images change when we look again

Ternform
Gallery

A gallery for painted walls, restless colour and objects with more than one reading. Meet the artists, follow an exhibition and find a question worth taking into the room.

Explore the programme
An original mixed-media abstract work in graphite, chalk, coral and deep green.
An original geometric artwork of balanced intervals and asymmetric forms.
An original grey-blue abstract painting with a pale passage bending beside a dark fold.
An original grey-blue abstract painting with a pale passage bending beside a dark fold.
An original grey-blue abstract painting with a pale passage bending beside a dark fold.
An original abstract painting of irregular ochre, coral, chalk and blue bands.

Programme 2026–27 · Upcoming in this edition

Soft Monument

Jonas Pell considers the quiet authority of a bust, a base and an ordinary covering. Wrapping becomes the centre of attention in an exhibition that asks which part of an arrangement turns an object into a monument.

Explore the exhibition
An original abstract painting of irregular ochre, coral, chalk and blue bands.
An original mixed-media abstract work in graphite, chalk, coral and deep green.
An original mixed-media abstract work in graphite, chalk, coral and deep green.
An original grey-blue abstract painting with a pale passage bending beside a dark fold.
An original abstract painting of irregular ochre, coral, chalk and blue bands.
An original geometric artwork of balanced intervals and asymmetric forms.

Programme 2026–27 · Upcoming in this edition

Faces in Common

Suri Calder follows the recognition of a painted face through masks, colour bands and interruptions. Look beyond the first familiar feature to examine how a public image invites a reading and leaves room for another.

Explore the exhibition
An original abstract painting of irregular ochre, coral, chalk and blue bands.
An original grey-blue abstract painting with a pale passage bending beside a dark fold.
An original grey-blue abstract painting with a pale passage bending beside a dark fold.
An original geometric artwork of balanced intervals and asymmetric forms.
An original abstract painting of irregular ochre, coral, chalk and blue bands.
An original grey-blue abstract painting with a pale passage bending beside a dark fold.
An original abstract painting of irregular ochre, coral, chalk and blue bands.

Programme 2026–27 · Upcoming in this edition

Ground Register

Ada Lorne examines the record left by layered paint: ridges, exposed grounds and bright marks crossing a stronger direction. A programme of close looking at what a surface reveals, and what it keeps uncertain.

Explore the exhibition

A season of closer looking

In the journal

Studio conversations, exhibition readings and practical notes on the decisions that shape an image.

Read the full journal

An original illustration of a working art studio with materials and works in progress.

Make your first mark

Begin with a line, a surface and time to try again. Our introductory workshop moves from looking at street art to making a small, considered composition.

Explore the workshop