Tomas Reeve Makes the Corner Part of the Painting
A painted room changes as its viewer moves. Tomas Reeve’s installation offers a useful test of where an image ends and an exhibition begins.
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Images change when we look again
A gallery for painted walls, restless colour and objects with more than one reading. Meet the artists, follow an exhibition and find a question worth taking into the room.
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Jonas Pell considers the quiet authority of a bust, a base and an ordinary covering. Wrapping becomes the centre of attention in an exhibition that asks which part of an arrangement turns an object into a monument.
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Suri Calder follows the recognition of a painted face through masks, colour bands and interruptions. Look beyond the first familiar feature to examine how a public image invites a reading and leaves room for another.
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Ada Lorne examines the record left by layered paint: ridges, exposed grounds and bright marks crossing a stronger direction. A programme of close looking at what a surface reveals, and what it keeps uncertain.
Explore the exhibitionA season of closer looking
Studio conversations, exhibition readings and practical notes on the decisions that shape an image.
A painted room changes as its viewer moves. Tomas Reeve’s installation offers a useful test of where an image ends and an exhibition begins.
Read the storyA beginner session moved from tool trials to a small shared wall exercise, using repeated marks to make decisions visible and discussion practical.
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Drying space, a useful shelf and a place to disagree can shape a practice as much as a large window. A closer look at studio arrangements.
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Begin with a line, a surface and time to try again. Our introductory workshop moves from looking at street art to making a small, considered composition.
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Ternform brings making, looking and conversation into the same programme. Read the story of the gallery and the practical ideas behind its rooms.
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