Tomas Reeve Makes the Corner Part of the Painting
A painted room changes as its viewer moves. Tomas Reeve’s installation offers a useful test of where an image ends and an exhibition begins.
Read the storyProgramme 2026–27
Notes from the gallery
Longer conversations about how images are made, encountered and discussed. Choose an exhibition reading, a studio interview or a practical workshop note, and follow one question beyond a first impression.
Anya Quill’s Workshop Begins with a Line Worth Repeating
A beginner session moved from tool trials to a small shared wall exercise, using repeated marks to make decisions visible and discussion practical.
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What a Working Studio Needs Between One Attempt and the Next
Drying space, a useful shelf and a place to disagree can shape a practice as much as a large window. A closer look at studio arrangements.
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Ren Ito on Making a Small Object Hold Its Own Weight
A conversation about cardboard wedges, an unsuccessful plaster trial and why a prototype should remain easy to question after it begins to look finished.
Read the storyLeyla Mott Draws the Same View from an Unreliable Memory
Field drawing becomes a conversation between what is in front of the artist and what remains after leaving. Leyla Mott explains the gaps she keeps.
Read the storyA Public Installation Lets the Rain Alter Its Argument
Unfired clay panels change at different speeds in a temporary installation. Their uneven surfaces offer an environmental metaphor whose limits remain visible.
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Working Apart Starts with Agreeing What the Other Person Can See
A practical August studio note on remote collaboration: name the version, show the scale and distinguish a request for feedback from a request to approve.
Read the storyA Studio Visit on Screen Needs More Than a Moving Camera
A proposed screen visit uses a room plan, still details and pauses to build an account of work in progress without pretending to replace the room itself.
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Give a good conversation room
Think through a reading, discussion or small gathering among the ideas of a gallery programme. Start with people, timing and the kind of attention the event needs.
Plan an event enquiry