· News
A Digital Fold Begins with a Decision About Its Edge
From a paper sketch to a lit three-dimensional scene, a small modelling exercise reveals how geometry, surface and viewpoint can pull an image in different directions.
Read the storyProgramme 2026–27
Notes from the gallery
Longer conversations about how images are made, encountered and discussed. Choose an exhibition reading, a studio interview or a practical workshop note, and follow one question beyond a first impression.
Nora Fen on Doubt, Useful Criticism and Knowing What to Revise
Public lettering carries a confident voice, but making it involves less certain decisions. Nora Fen describes a practical way to hear criticism without surrendering the work.
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An Acrylic Workshop Finds the Picture in the Second Layer
A limited palette, patient drying intervals and specific peer observations helped a painting session move beyond the search for a single perfect colour.
Read the storyHow Cassian Vale Built the Distance Inside Gesture Ledger
The spring exhibition followed painted hands from an intimate drawing to a public scale. Its material tests reveal why enlargement changes more than size.
Read the storyNora Fen Gives a Public Statement Room to Be Reconsidered
Looking back at Public Second Thoughts, where spacing, revision and the position of the reader unsettled the certainty of large painted words.
Read the storyElin Rook Finds a Portrait’s Starting Point Beside the Face
Before Face as Weather, Elin Rook discusses reflected colour, a failed lighting trial and the conversation that makes a staged portrait a shared construction.
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Looking Ahead to 2027: Elin Rook’s Face as Weather
The next programme year opens a conversation about staged portraits, changing colour and the limits of a first impression. A guide to the exhibition and ways into its questions.
Read the storyAfter Ordinary Spectra, Cassian Vale Tests a Gesture Without a Figure
Cassian Vale looks back at the summer exhibition and forward to a new studio experiment, asking how a turn, a gap and a change of colour can carry movement.
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Give a good conversation room
Think through a reading, discussion or small gathering among the ideas of a gallery programme. Start with people, timing and the kind of attention the event needs.
Plan an event enquiry